Drawing has always been an essential tool for design and conceptual visualization in the fields of architecture and design. It serves as an intermediary between the creative process and material realization, enabling the effective translation of ideas into tangible design solutions. Alvaro Siza Vieira, one of the most influential contemporary architects, has elevated drawing beyond its technical dimension, transforming it into a methodology of inquiry and communication. For Siza, drawing becomes an analytical language through which to explore and comprehend the spatial and contextual complexity of space, establishing a deep connection with the specific characteristics of a place. Within the tradition of the Porto School, drawing emerges as a universal language, capable of transcending cultural and formal boundaries to adapt to specific contexts, as evidenced by some of his most emblematic evocative early works. The blank sheet of paper becomes a medium for exercising memory and refining the architect's perceptual acuity, a narrative and dialogical instrument between past and future, capable of interpreting context through a sensitive and essential graphic form. In this approach, drawing does not merely represent but becomes an act of continuous reflection, capable of capturing and conveying the essence of each project.
Alvaro Siza Vieira: la poetica del disegno nella costruzione del luogo
Chiara Tassano;Francesca Paoli
2025-01-01
Abstract
Drawing has always been an essential tool for design and conceptual visualization in the fields of architecture and design. It serves as an intermediary between the creative process and material realization, enabling the effective translation of ideas into tangible design solutions. Alvaro Siza Vieira, one of the most influential contemporary architects, has elevated drawing beyond its technical dimension, transforming it into a methodology of inquiry and communication. For Siza, drawing becomes an analytical language through which to explore and comprehend the spatial and contextual complexity of space, establishing a deep connection with the specific characteristics of a place. Within the tradition of the Porto School, drawing emerges as a universal language, capable of transcending cultural and formal boundaries to adapt to specific contexts, as evidenced by some of his most emblematic evocative early works. The blank sheet of paper becomes a medium for exercising memory and refining the architect's perceptual acuity, a narrative and dialogical instrument between past and future, capable of interpreting context through a sensitive and essential graphic form. In this approach, drawing does not merely represent but becomes an act of continuous reflection, capable of capturing and conveying the essence of each project.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



