IRIS
LOVASCIO, DOMENICO
 Distribuzione geografica
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Continente #
EU - Europa 5.745
AS - Asia 64
SA - Sud America 13
NA - Nord America 2
Totale 5.824
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Nazione #
IT - Italia 5.743
VN - Vietnam 27
CN - Cina 20
BR - Brasile 12
ID - Indonesia 8
SG - Singapore 7
US - Stati Uniti d'America 2
CL - Cile 1
HK - Hong Kong 1
KR - Corea 1
PT - Portogallo 1
RU - Federazione Russa 1
Totale 5.824
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Città #
Genova 3.306
Genoa 1.501
Vado Ligure 482
Rapallo 446
Ho Chi Minh City 10
Hanoi 8
Singapore 6
Bergamo 4
Bordighera 4
Tianjin 4
Beijing 2
Bắc Ninh 2
Jakarta 2
Manaus 2
Ancol 1
Ashburn 1
Bauru 1
Brasília 1
Bình Dương 1
Cabo Frio 1
Can Tho 1
Chongqing 1
Concepción 1
Curitiba 1
Cícero Dantas 1
Da Nang 1
Haiphong 1
Hong Kong 1
Hải Dương 1
Makassar 1
Ouro Fino 1
Palembang 1
Paraty 1
Pringsewu 1
Rezh 1
Salvador 1
Seoul 1
Sidoarjo 1
São Joaquim da Barra 1
São Paulo 1
Thái Nguyên 1
Totale 5.806
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Nome #
The False One, by John Fletcher and Philip Massinger, edited by Domenico Lovascio 300
Merchants, Usurers and Harlots: Genoa in Early Modern English Drama 157
Dukes, Dogi and Mogógni: Genoa in John Marston’s The Malcontent 154
Julius Caesar’s “just cause” in John Fletcher and Philip Massinger’s The False One 140
Identifying “the cloak of Genoa” in Ben Jonson’s The New Inn 140
Spinella’s Name in John Ford’s The Lady’s Trial 139
The Anonymous Caesar’s Revenge and John Fletcher and Philip Massinger’s The False One 139
Re-Writing Julius Caesar as a National Villain in Early Modern English Drama 134
She-Tragedy: Lust, Luxury and Empire in John Fletcher and Philip Massinger’s The False One 132
Leicester’s Men and the Lost Telomo of 1583 131
Thomas Kyd, The Householder's Philosophy, ed. Domenico Lovascio 130
Introduction: Visions of Rome in Shakespeare 120
“Da quando ho conosciuto l’arte, ’sta cella è diventata ’na prigione”: Cesare Deve Morire and the Unsettling Self-(Re-)Fashioning Power of Theatre 119
Jonson’s Catiline and Machiavelli’s Istorie Fiorentine 115
Antony and Cleopatra: A Critical Reader 112
John Fletcher's Rome: Questioning the Classics 102
Niente di marcio nello Stato della Poesia 100
“Of higher state | Than monarch, king or world’s great potentate”: The Name of Caesar in Early Modern English Drama 100
Julius Caesar’s “stony heart”: Thomas Kyd’s Cornelia and the Mirror for Magistrates 100
Review of Daniel Cadman, Sovereigns and Subjects in Early Modern Neo-Senecan Drama: Republicanism, Stoicism and Authority (Farnham: Ashgate, 2015) 98
Review of Matthew Steggle, Digital Humanities and the Lost Drama of Early Modern England: Ten Case Studies (Farnham: Ashgate, 2015) 97
With a 'monster's heart': Jonson's Caesar and the Destruction of Roman Liberty 96
Review of Ralf Hertel, Staging England in the Elizabethan History Play: Performing National Identity (Farnham: Ashgate, 2014) 96
“All our lives upon ones lippes depend”: Caesar as a Tyrant in William Alexander’s Julius Caesar 93
La congiura di Catilina. Testo inglese a fronte 93
Review of Edward Paleit, War, Liberty, and Caesar: Responses to Lucan’s Bellum Ciuile, ca. 1580–1650, (Oxford: OUP, 2013) 93
Alison V. Scott, Literature and the Idea of Luxury in Early Modern England (Farnham: Ashgate, 2015) 92
Annus mirabilis 1814-1815 90
Jonson’s Catiline: A Few Unrecorded Borrowings from Felici’s Historia Coniurationis Catilinariae 90
Introduction: Roman Women in Early Modern English Drama 90
Giulio Cesare, la vipera, l’Inghilterra 89
Review of David McInnis and Mattew Steggle (eds), Lost Plays in Shakespeare’s England (Basingstoke: Palgrave Macmillan, 2014) 89
Review of Miryana Dimitrova, Julius Caesar’s Self-Created Image and Its Dramatic Afterlife, London: Bloomsbury, 2018, pp. x, 236, ISBN: 9781474245753, £85 88
Bawds, Wives, and Foreigners: The Question of Female Agency in the Roman Plays of the Fletcher Canon 87
Thomas Kyd’s The Householder’s Philosophy and Cristoforo Landino’s Comento sopra la Comedia di Dante 86
The State of the Art 85
Introduction. Ancient Rome and English Renaissance Drama 84
Review of Shakespeare’s Romeo e Giulietta (directed by Gigi Proietti) at the Silvano Toti Globe Theatre, Rome, Italy, 21 July 2013 84
Recensione di Maria Del Sapio Garbero (ed.) Rome in Shakespeare’s World (Roma: Storia e Letteratura, 2018) 84
Shakespeare: Criticism: (b) Problem Plays 84
Review of Patrick Gray, Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism and Civil War (Edinburgh: Edinburgh UP, 2018) 83
Julius Caesar, Translatio Imperii and Tyranny in Jasper Fisher’s Fuimus Troes 83
The Roman Civil Wars in the Anonymous Caesar’s Revenge 82
"How many lets do hinder virtuous minds": intemperanza ed effeminazione in Caesar’s Revenge 82
Review of Selene Scarsi, Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso (Farnham: Ashgate, 2010) 82
Shakespeare: Visions of Rome 81
Ariosto, Gascoigne e The Taming of the Shrew 79
Introduction 73
Cesare “distruttore”: furor lucaneo e calcolo machiavellico 72
Margaret Cavendish and Julius Caesar 72
‘‘Questo non è un romanzo storico”: La Settimana Santa di Louis Aragon 71
Roman Women in Shakespeare and His Contemporaries 70
Recensione di F. Marucci, Storia della letteratura inglese. Dalle origini al 1625. Tomo II. Shakespeare (Firenze: Le Lettere, 2015) 64
Un nome, mille volti. Giulio Cesare nel teatro inglese della prima età moderna 63
The Uses of Rome in English Renaissance Drama 61
Review of Freyja Cox Jensen, Reading the Roman Republic in Early Modern England (Leiden: Brill, 2012) 60
Occasioni mancate: Ipazia nella letteratura italiana contemporanea 58
Storia, mito, logos. Giornate di studi 2009, 2010, 2011. Quaderni di Palazzo Serra 23 58
Lucanic Words and Machiavellian Deeds: Dreams and Plans of Destruction in Ben Jonson’s Catiline 55
Thierry and Theodoret, by John Fletcher, Philip Massinger and Nathan Field, edited by Domenico Lovascio 55
The State of the Art 54
Review of Yasmin Arshad, Imagining Cleopatra: Performing Gender and Power in Early Modern England (London: Bloomsbury Arden Shakespeare, 2019) 45
Review of Curtis Perry, Shakespeare and Senecan Tragedy (Cambridge: Cambridge University Press, 2020) 39
John Fletcher and the 1623 First Folio of Shakespeare’s Plays 30
Unveiling Wives: Euripides’ Alcestis and Two Plays in the Fletcher Canon 26
Giles, John, and Will: The Fletchers and Shakespeare in Bishopsgate Street, London, 1596 24
The Elder Brother, Virgil’s De apibus, and the Chronology of the Plays in the Canon of John Fletcher and His Collaborators, 1617–20 20
Review of C. Paravano, Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger (London: Routledge, 2023) 20
Review of D. Freebury-Jones, Reading Robert Greene: Recovering Shakespeare’s Rival (London: Routledge, 2022) 18
Review of L. Johnson, Leicester’s Men and Their Plays: An Early Elizabethan Playing Company and Its Legacy (CUP, 2023) 18
Review of M. Wagoner, Interruptions in Early Modern English Drama (London: Bloomsbury Arden Shakespeare, 2022) 13
The Failure of the Classics in John Fletcher’s The Mad Lover 10
“And now let me alone to end the tragedy”: Othello, Comedy and Candlelight in John Fletcher’s Women Pleased 2
Celebrating John Fletcher’s Life and Works (1625–2025), special issue of The Ben Jonson Journal 32.2 (2025) 1
Foreword: Fletcher and Jonson, Jonson and Fletcher 1
Totale 6.177
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Categoria #
all - tutte 20.980
article - articoli 12.784
book - libri 2.063
conference - conferenze 433
curatela - curatele 1.596
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 4.104
Totale 41.960
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Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2020/2021282 0 0 0 0 17 61 12 35 21 47 39 50
2021/2022778 22 53 27 81 31 73 40 178 83 72 25 93
2022/2023571 68 42 14 48 86 109 4 56 100 4 33 7
2023/2024320 22 54 23 19 26 26 35 14 14 11 9 67
2024/20251.170 85 88 38 54 219 103 77 88 65 75 94 184
2025/2026481 130 88 91 98 74 0 0 0 0 0 0 0
Totale 6.177