Wallace Stevens, usually seen as an impassive figure, is read by Helen Vendler as a poet of intense emotion. The paper situates Vender's approach in the context of its time, the "existential" and confessional 1950s and 1960s.
Tone and emotion in Helen Vendler’s Dickinson and Stevens
BACIGALUPO, MASSIMO
2014-01-01
Abstract
Wallace Stevens, usually seen as an impassive figure, is read by Helen Vendler as a poet of intense emotion. The paper situates Vender's approach in the context of its time, the "existential" and confessional 1950s and 1960s.
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