Even if assignable to different periods of his production and characterized by a substantial variance in their fortune and textual history, both poems by Corrado Costa −Il fiume and Il violinista di Chagall − move from a primitive linear version to a performative execution; even if in a large sense this can also include the 1981 book-object Il fiume. The essay tries to analyze the peculiar strategies put into effect by Costa to achieve this aim, and his use of visual and audio elements to increase the performative values of his literary production.
“Se si scrive / lepre...”. Performatività del testo in Corrado Costa (due esempi)
BERISSO, MARCO
2017-01-01
Abstract
Even if assignable to different periods of his production and characterized by a substantial variance in their fortune and textual history, both poems by Corrado Costa −Il fiume and Il violinista di Chagall − move from a primitive linear version to a performative execution; even if in a large sense this can also include the 1981 book-object Il fiume. The essay tries to analyze the peculiar strategies put into effect by Costa to achieve this aim, and his use of visual and audio elements to increase the performative values of his literary production.
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